Fall Out Boy Wants to Rock Your Heart With the Story of Invisible Children
September 28, 2007 by Crystal A. Johnson
In 2006 Fall Out Boy Band member Peter Wentz watched the documentary video Invisible Children, which brought to light how children in Northern Uganda were being kidnapped in the night and forced to fight as child soldiers. Wentz learned that the war in Uganda has spanned over 20 years and more than 38,000 children have been abducted.
Pete and the other members of Fall Out Boy answered the call to action they heard by collaborating with the non-profit organization Invisible Children to produce the band’s latest music video “Me and You”. Filmed in Uganda, the Chicago fab four’s compelling video seeks to make the story of these invisible children less invisible.
You too can make a difference by supporting the Invisible Children organization. The funds generated help to improve the quality of life for war-affected children.
Enjoy the rest of the series on You Tube.
There was a bevy of good will Mother’s days weekend in support of research for the cure of breast cancer, including not only the highly publicized Revlon Run/Walk but top celebrity chefs were involved with “Cook for the Cure.” Presented by KitchenAid, it is an effort by the culinary community and cooking enthusiasts to support and raise funds for Susan G. Komen for the Cure .
Lidia Bastianich, Mario Batali and Sara Moulton (Gourmet magazine executive chef and Good Morning America, food editor) appear in the May issue of Gourmet to raise awareness and give credit to the women who inspired them: their mothers. All three chefs signed the popular pink KitchenAid Artisan Series Stand Mixer, which is being auctioned on Charity Folks through May 15th.
In order to create breast cancer awareness, celebrity chefs and waitstaff wore pink aprons over the holiday weekend which read “I cook for mom.”
Susan G. Komen for the Cure®. Nancy G. Brinker promised her dying sister, Susan G. Komen, she would do everything in her power to end breast cancer forever. In 1982, that promise became Susan G. Komen for the Cure® and launched the global breast cancer movement.
May 13, 2008 by Crystal A. Johnson
Look to the Stars is very proud of our own Crystal A. Johnson , who took part in the weekend’s Revlon Run/Walk.
The 15th EIF Annual Revlon Run/Walk in Los Angeles took place Saturday Morning, kicked off by Halle Berry, Tom Selleck and Dancing With the Stars’ Carrie Ann Inaba strapping on their shoes for a great cause. The charity raises money to help in the fight against breast cancer.
However, I was not prepared for how touching it would be to see an ocean of walkers sporting tags or shirts dedicated to the memory of a loved one. Immediately, one is stricken with the gravity of the mission. Coverage of this event was double duty for me because I participated as a walker for the first time. My grandmother, Josephine Wilson had a mastectomy in the 60’s and was a proud survivor until a ripe old age. At the completion of the race, walkers and runners entered the LA Colliseum. By the time many of the walkers finished, 80’s classic group the Go Go’s were on stage performing hit tunes. Belinda Carlisle was looking great and still has the beat. Jesse McCartney also performed. Other stars such as Days of Our Lives’ Deidre Hall and actor Jonathan Hensley also showed their support.
The EIF Revlon Run/Walk happens annually in New York and Los Angeles.
Picture: Alexandra Wyman, WireImage.com
(As Seen at blkhollywoodnews.com )
Meet the Neely’s
An Interview with Pat and Gina Neely
By Crystal A. Johnson
een at blkhollywoodnews.com )
Meet the Neely’s
An Interview with Pat and Gina Neely
By Crystal A. Johnson
Gina and Pat Neely are the hosts of the hottest new show on Food Network since Paula Dean. Just how hot are they? The Down Home With the Neely’slaunch episode was viewed by two million viewers, breaking all sorts of records for the network. The husband and wife cooking team are attractive, fun-loving and have people across the nation replicating their recipes like frozen lemonade pie. BHN got the opportunity to interview the rising stars of the network that brought you Emeril Lagasse, Bobby Flay and Rachel Ray:
BHN: I have to tell you that since your show is a family oriented show, ironically, I came to learn about your show through my cousin. She is in love with you. She said, “You have to see this Black couple that was on the Paula Dean’s show. Food Network has to give these people a show.” When it happened she was ecstatic and now she records every episode.
Pat and Gina laugh out loud.
BHN: Shifting gears, what was your reaction when you learned that your show had the highest ratings on food network in five years?
Gina: I did my happy dance. You know I have many of those. I was just crazy. I couldn’t believe it.
Pat: Gina and I come from a restaurant background so when someone says I have the number one rated ribs in the country then I am dancing around, screaming and flicking lights on and off. When we got the news we were in the middle of a shoot. I was actually free and Gina was doing her own individual deal and the producers had her locked and loaded. I’m in the back taking it easy. I get a call from Food Network. They say, “Pat, we have great news. You broke all kinds of Food Network records. You had the number one show.” I am thinking, fine this a good thing. I didn’t get excited. I walk in after Gina and the producers are done. I call them in and say that Bob Tuschman(President) of Food Network just called and says we are the highest rated show in the past 5 year history. We broke all kinds of records. Our producers, grown men eyes well up. They get tears in their eyes and say, “This is like winning the Super Bowl.” Then it dawned on me what an accomplishment it was but if you don’t know that this that great then you don’t know how to respond.
BHN: One of the most captivating things to see on the screen is your chemistry. It is one of those things that you can’t fake coming across the screen. How important is the image of a loving African American couple to you on TV?
Gina: It is vital. I can’t put enough emphasis on how important it is. We just don’t see enough of it. Now, when you look at a reality show there is so much negativity and so much craziness. It is a positive change to show African American love, how it really it is and what it can be…When you see all these other shows on TV, you get the preconceived notion that is how all of us are. It gives a chance to show what we believe and feel out to the masses. It is vitally important for our children to see it and every generation to see that it is possible. It is achievable. This is real.
Pat: One of the things that attracted the producers to Gina and I is that we are so original. We hear it all the time now that we are just naturals on television. We love the banter between the two of you. The best part of what you see on Saturday morning is that this is real. This is the same thing you would see if you came over to our house and Gina and I are cooking dinner. We are going to joke and jive. I am going to come from behind her and kiss her on the back of her neck. We are going to cook dinners together. What you see on television is really old news to Pat and Gina Neely. We’ve been doing that for years. It is great that it is received well on television but this is what is healthy for our marriage…After all these years together, she is still my best friend. Hopefully, people will watch and say “My wife and I have problems. Maybe this is something we can do together to bond.”
BHN: You were successful prior to the launch of the show. You have restaurants and concessions stands. Where are they?
Pat: We run 7 concessions stands at the NBA arena here in Memphis. I guess for our sixth or seventh year. We sell a barbeque nacho. It is the number seller in the building. We have two restaurants in Memphis and one in Nashville. We have been in business 20 years…Gina and I come from very humble beginnings. One thing I remembered is that when I start making some money. I am going to help somebody. One of the best feelings in the world is to be able to give…Gina and I give 30 Memphis Grizzlies tickets away for every home game and we have for years. There is nothing better than when I get a big envelop with thirty letters from young kids and high school. You can’t beat the feeling when kids say without you I would not be able to afford to go to a NBA game.
BHN: Wow, congratulations on twenty years of business and being able to give back. How have things changed for you since the launch of the show?
Gina: I feel more comfortable now. I feel excited. I can’t wait to tape now. I feel really good because it has gotten such great response from our community. My daughter and I were in a local store in our neighborhood, and this woman came up to me to tell me how much the show had affected her marriage. She said it saved it. I never knew how much a cooking show could impact people’s lives. It is really a blessing. I thank God for allowing us to share our testimony with the masses.
BHN: This is our Mother’s Day Issue so Happy Mother’s Day Gina.
Gina: Thank you.
BHN: You are welcome. What would be a dish that the two of you could agree upon that would be perfect for Mother’s day?
Pat: I don’t know, Crystal. We have so many dog gone recipes. I don’t know honey.
Gina: I love going with the Cornish hen. They are so petite and so special. It’s not a big ham or turkey.
Pat: More than likely both of our mothers would be at the house. We would do the Cornish hens. Gina loves collard greens.
Gina: Potato salad.
Pat: Your mother’s potato salad and my mother’s macaroni & cheese. It would be something that everybody has their stamp on…for dessert we would probably do the strawberry shortcut cake.
Gina: Or the grilled pound cake. Normally, everyone puts on their own topping.
BHN: I love how you two had to complete the meal with a dessert. Thank for taking the time to speak with BHN, much continued success.
The Complexions Contemporary Ballet Returns to LA
Theatre Listings
Complexions Contemporary Ballet has not graced the Dorothy Chandler Pavilion of the Music Center since 2001 but returned this April with a bang. The house was packed. Dance set to hip music and classic Marvin Gaye tunes had the crowd swaying in their seats and at other times transfixed by performance. The company headed by co-artistic directors Dwight Rhoden and Desmond Richardson, held performances over the course of a three day weekend. The two co-artistic directors have distinguished accolades. The New York Times describes Rhoden “One of the most sought after choreographers of the day and follows with equally impressive commentary in regards to Richardson as “one of the best dancers of all time.”
Each day of performance had musical deviations. Yet, all three programs began with “Dear Frederick” choreographed by Rhoden to the music of Frederick Chopin. The Friday April 11th performance continued with “Gone” to music of Vera Hall and performed by Odetta. It was followed by “Gravity” to the music of John Mayer. Furthermore, “Loose Change” was
choreographed by Taye Diggs to music of David Ryan Harris, “Moody Booty Blues” to music of Roy Buchanan, and “Lux” to music of Eric Whitacre performed by the Turtle Creek Chorale. The second portion of the program was the least trite. The feel of the second portion of the program took on various cultural overtures. It opened with three men dancing in motions which could suggest a story oppression, slavery and unity. It was followed by a romantic performance then more male oriented dance routines were to follow.
The final portion of the program was filled the music of Marvin Gaye. When oldies but goodies such as “What going on?” and “Mercy, Mercy Me” played, immediately it grabbed the attention and sustained the interest of the audience. The performance mimicked the tone of the late 60’s zest for change. Free love was another reoccurring theme in the final portion. Homosexually was abundantly encompassed into this fold. At times it felt very agenda oriented; however, the story telling cleverly unfolded a moral to the story. Fresh off the heels of the recently highly publicized hate crime which occurred in Southern California, this story illustrates the tragedy. Visually, the third portion of the show came across as crowded with dancers on stage. Despite the apparent the number of dancers on stage at one time helped to drive the message of chaos of the times, the choreography in this section was not stunning. It fell flat.
At most times, the choreography for the men was more challenging. The male dancers stepped up to the challenge with flying colors. Unfortunately, the choreography for the women was not as magnetic as it was for the men. The women also seemed to be weaker performers than their male counterparts. Of the dancers co-artistic director Richardson says, “We pushed the envelope from the very beginning, giving artists who never would have had a chance to dance together an opportunity to do so.”